Meadowlark -Live Review (30/09/16)

Charlotte Smith headed down to Manchesters Fallow Cafe to experience the stunningly beautiful Meadowlark encapsulate an audience with their heavenly sound. With support from O>L>A. 

 

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Photograph: George Heaton

 

Author: Charlotte Smith

 

Salford to Fallowfield – it’s not an easy journey to make on a Friday night at rush hour but alas I arrive at Fallow Café just in time to see the second support act take to the stage before headliners Meadowlark.

One Little Atlas, possibly better known as O>L>A are a band I’m familiar with already after seeing them support a local band sometime last year so I knew what to expect when they stepped into the taped off section of the room I’d then identified as the stage. The duo, who are based in Manchester, are comfortable on stage, they give off a vibe that makes you feel like you’re stood in one of their bedrooms watching them jam. They are typically northern and interact well with crowd firstly asking who’s here to see the main act. A few muted cheers creep out of the crowd to which O>L>A respond with an accusational “fucking hell come on you aren’t all here to see us!” The crowd livens up as they wade into both old and new material, which leave the growing audience transfixed by the uplifting experimental percussion and vocals worthy of a church procession. The band finish their support slot with a huge ballad which is received well by the dispersing crowd (probably rushing off to get to the bar or toilet first), it climaxes and a huge thankful sigh is expressed. A swig of cheap wine later, O>L>A leave the stage and enter a crowd of old fans and definitely a few new ones.

 

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Photograph: George Heaton

I manage to wiggle my way towards the back of the attic space at Fallow Café and into the smoking area to reconvene with the photographer for this piece and quickly find myself rushing back inside in order to get a good spot for the headliners. There’s a definite buzz in the air, one that I didn’t expect as I’ll be honest, I’d never heard of Meadowlark until a few weeks ago when I was assigned the gig. I googled their name and two top results appeared; the band (thank god) and the bird. I had it in my mind that Meadowlark were sweet and tranquil, much like the bird suggested. I listened to a few of their tracks and it certainly felt that way. Their live shows, on the other hand, are far from tranquil.

The band open with recent release ‘Headlights’ and the electronic drum kit claims the tiny space around it. Kate McGill’s vocals are beautiful. They are innocent but full of emotion. Daniel Broadley is the quite opposite, he is animated and full of energy and the contrast works so incredibly well that you could almost forget where you are through pure captivation of what is happening on stage.

 

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Photograph: George Heaton

The band don’t say much, not until after their third track when McGill asks how the crowd are doing after noting their quietness. The crowd recognise this quietness but each member of that audience knows that this is not through lack of enthusiasm, more like complete awe. The fifth track of the set invites Broadley to address the crowd. He tells the story of ‘Quicksand’ and how the song was inspired by a Humans of New York post he had seen on Facebook. The words of the track emanate the stranger’s story of working in the Pakistani brick kilns and you can see the passion Broadley feels for the track through his facial expressions during the performance.

The next 10 minutes are filled with more upbeat tracks with the band playing ‘Sunlight’ and ‘Satellite’, both of which receive a big “WOO” from an overly manly man somewhere behind me. An acoustic version of ‘Postcards’ follows of which McGill claims as her favourite track off the forthcoming album and as an ode to an ex-lover. The crowd are deathly silent during this performance and as interesting as Broadley is to watch, his talent for playing a range of instruments and dancing whilst doing so, it is extremely difficult to focus on anything else other than McGill. The audience is completely lost in her voice.

The roller coaster set is brought to a close with an acoustic version of ‘Fly’ much to the crowd’s approval. Everyone seems to know this one and the band invite them to sing along to the chorus. The room is filled with varying tones all singing the hook over and over again. Complete elation can be seen on both of McGill and Broadley’s faces as a number of balloons aptly appear over the crowd. It’s super cheesy and I can’t work out whether it was done by the band or a fan but either way, it’s just enough cheese to be acceptable. “One more time Manchester” remarks McGill as the song and evening draws to a close. The crowd lap this up and the last chorus is louder than before and a huge round of applause begins to precede over the singing. By the looks of the crowd, Meadowlark killed it tonight in this tiny venue in the depths of Manchester’s studentville. They finish with a thank you, an invitation to buy merch and promising “we’ll see you again very soon”.

Blink 182 – ‘California’ Album Review

Back to their roots but not as you know them, Bradley Shea takes a look at how the new look Blink 182 album sounds post DeLonge with the bands first release with Matt Akiba, ‘California’.

Author: Bradley Shea 

In 1999, Blink 182 were on top of the world thanks to several high-charting singles from their critically acclaimed third album Enema of the State. Three friends from San Diego had managed to bring pop punk to the mainstream for the first time since Green Day dropped Dookie in 1994, but with each release the band grew further apart as their conflicting music tastes made making music together a chore.

Fast forward to 2016 and following a disappointing comeback album in the form of 2011’s Neighbourhoods, Blink 182 are back to take over the airwaves. Founding member and co-vocalist Tom DeLonge has since left/been kicked out of the band after repeatedly failing to meet deadlines in favour of chasing aliens in the desert – no, really – and Matt Skiba of Alkaline Trio fame has stepped up to the mic in his place. It’s a creative decision that has done wonders for the band, their energy and enthusiasm fully on display across the 13 tracks that make up California. 

 

About 40 seconds in to opening track ‘Cynical,’ it’s clear that Blink are fully embracing their roots and delivering what fans have been hoping for in the build up to the albums release. Travis Barker’s frantic beats provide a solid backbone for the band to build upon, and the bouncy riffs that were more prominent in their earlier work are at the forefront once again. First single ‘Bored to Death’ shows the band at their most epic as it blends their untitled 2003 album and with the earlier work, while ‘Sober’ proves to be the stand out track on the record, complete with a series of ‘na na na’s that will bury themselves in to your brain for days.

The addition of Skiba on vocal duty with long term member Mark Hoppus adds another dimension to the band that they had previously been lacking. His delivery is much more effective than DeLonge’s even if it does lack the nasal tone he made his trademark, and his presence will no doubt make Blink sound much more professional when playing these tracks live. Songs such as ‘Home Is Such A Lonely Place’ and ‘Left Alone’ show just how much the band have grown with Skiba in their ranks and by the time the closing notes on 30 second closer ‘Brohemian Rhapsody’ ring out, you’ll find yourself completely forgetting that DeLonge was ever a part of the band.

 

 

There are weaker moments, however, in particular the predictable ‘Kings of the Weekend’ which is a fun pop punk tune but lacks substance, and the Alkaline Trio-influenced verse of ‘Los Angeles.’ Skiba’s was always likely to bring aspects of his other band along for the ride with Blink, but while the chorus in this song soars, the trio never quite nail the tone they’re aiming for in the verses. Nevertheless, California is the best that Blink have sounded in years and cements their place in the annuls of the genre.

It’s good to have you back boys!

Recommended Tracks: ‘Sober,’ ‘Cynical,’ ‘Left Alone’

5 Manchester Acts You Should Be Listening To In 2016

Author: Jake McGloin

Historically Manchester is one of the great music cities of the world, argue against that all you want but you’d be wrong. But there’s always more to this city than Oasis, The Smiths, Joy Division, Happy Mondays, The Stone Roses and The Buzzcocks to name but a few. We didn’t do bad last year predicting Prose and Blossoms would do well and we were early champions of Horsebach and False Advertising, so we know Manchester is still producing a whole host of amazing acts. So here’s our pick of the bunch for manchester best new artists.

 

Summerhouse

Shoegaze newcomers Summerhouse released their debut five track EP this year that’s packed with fuzzy guitars and dreamy vibes. Grunge elements and slick beats make this Manchester based band an irresistible listen and an exciting prospect for the future. Embedded in this bands ethos is a pure wall of noise and catchy hooks through out every track, see them live at Fallow Cafe June 24th  and experience it for yourself  (tickets here).

 

 

 

Lusaint

It’s a saturated market for female singers in the modern ages, and it would be easier to compare Manchester born Lusaint to the likes of Lana Del Rey and Lorde due to the dark edge of her music, but her haunting vocal and eerie beats set her apart. It’s a sound that oozes cool from every note, her hypnotising voice drives straight though any distraction and plays beautifully to the elements of pop and rock that are littered thought out her, as it stands, small catalogue of music. She’s still in the formative stage of her career but imagining how great she can be is just damn exciting.

 

 

 

Blooms

Blooms have been showing off their gorgeous surf pop sound around Manchester for a while, and it’s wavy vibes and dreamy riffs are making them one of the cities more exciting prospects. The trios perfect blend of surf riffs and pop melodies make them a heavily listen with Marr like guitars in parts and California feels through out, they’re definitely one to break out on a rainy Manchester summers evening.

 

 

The Hyena Kill

This Manchester two piece have been causing a storm throughout Manchester for some years, but this year they seem like a real force to be reckoned with. Their raw live shows and ability to create double barrel noise from seemingly nothing is just something that can’t be compared. The Hyena Kill are insanely explosive and not to be missed.

 

 

Arms&Heart

It’s roots are firmly planted in early folk but theres undoubtably elements that seep in to the music from the likes of The Gaslight Anthem, Arm&Hearts is like a Mancunian Bruce Springsteen, guitar in hand and gruff vocals at the ready. Steve Millars acoustic project is filled with heart and passion that’s seen a little to rarely and might seem more at home in the dark back room of an old Irish bar, but thank God he’s sharing it with us instead. Hard hitting and deeply melodic ‘The Jaded Captain’ EP is out now.

 

 

 

 

Got Music You Think We Should Hear? Email Us at Shopliftersuni@Gmail.com, or follow us on Facebook and Twitter.

 

5 Indie Labels You Should Know About

Author: Tom Ford (@lifeastomford)

Not all current world beating artists start of with Major Label contracts, some start from the bottom on independent DIY labels and work their way up. With out DIY labels young acts wouldn’t be given the opportunity to grow and bloom. So we’re paying homage with 5 of the best UK DIY labels.

Clue Records 

Clue Records is a DIY Leeds based record label started by Scott Lewis in November 2012,
Clue records have clocked up 21 releases in the four years of being active.
Helping bands along the way such as; the notorious Allusondrugs, alt rockers Forever Cult & NARCS as well as Indie-poppers Trash.
Also specialising in Podcasts and Music promotions with a very solid philosophy of promoting & supporting music they love.
Find out more on their website & Bandcamp
Check Out Clue Records Release – NARCS – Pig:
Art Is Hard Records 
Bristol Based Art Is Hard Records have been bringing people the new generation of noise-pop-punk-lofi since 2010. Working with artists such as Diet Cig, Best Friends, The Black Tambourines, Joanna Gruesome, Gorgeous Bully, they’ve had around 45 releases in the 6   years of existance their most recent a 7” split between Gorgeous Bully & Something Anorak which is available to pre-order for release on May 27th. As well as a record label Art Is Hard like to throw the odd party primarily using their own roster but throw an annual show with other labels such as: Heavenly, Burger, Bella Union & Fortuna pop.
To find out more visit their tumblr.
Check out Gorgeous Bully’s Beaucoup:
Sister 9 Records 
Based in Lancashire, Sister 9 recordings is home to Teesside lo-fi power houses Mouses,
mainly dealing with spiky-lofi-post-punk-rock, Sister9 offer out live recording sessions to acts they like, previously including: Sweet Deals on Surgery, Cabbage & Deja Vega.
To find out more head over to their website.
Listen to Mouses – Poison:
Blak Hand Records 
Liverpool based Blak Hand Records is ran by Brit Jean and Dan Hewitson, they have only been around for a while but in that short time have managed to rack up the releases. Quirkily working mainly on cassette  have a strong an affiliation Sunny Manchester & Manchester Psych Fest. Working with artists such as: The Watchmakers, TVAM & Beach Skulls, releases coming from the latter two this year. Find out more on their Facebook and Soundcloud.
Check out Beach Skulls dreamy track ‘Slow Grind’ Below:
Beech Coma
London Based Beech Coma records have been pretty active over the last year with specialising in indie-noisy-pop. Started in 2013/2014 but Harry Bainbridge,Beech Coma have a very impressive release record working with artists such as; Tuff Love, Bruising & Magic Potion, with their newest release coming from indie pop rockers, Posture who’s new single ‘I just can’t wait to see my girl’ is available to buy now (listen below).
Find out more on Beech Coma via their website.

5 Tracks You Need To Hear This Week (30/05/16)

HERE ARE FIVE AWESOME TRACKS YOU NEED TO HEAR THIS WEEK! AND SEND US YOUR TRACKS TO SHOPLIFTERSUNI@GMAIL.COM AND DON’T FORGET TO LIKE US ON FACEBOOK AND FOLLOW US ON TWITTER!

 

 

Richard Lomax – Choose Your Own Adventure

A step away from his sometimes acoustic folk stylings, Richard Lomax’s upcoming single Choose Your Own Adventure (June 24th, through Sotones Records) is dirtier, grittier outing with bigger guitars and more haunting beats but keeps hold of Richard’s irresistibly  unique vocal. His bard like style of guiding us through a song has always worked but some how fits perfectly with distorted riffs and almost tired, relaxed style of this latest single taken form upcoming second album “Postcards & Love-letters (From Somewhere You’ve Never Heard Of)”

 

 

 

DBFC – Autonomic

Hypnotic, enticing and simply cool are the only words to describe the latest single from Paris electronic group DBFC. A trance inducing beat, and slick pop melody fitted around a subtle wall of noise that wraps it self around you and won’t let go.

 

NO JOY – A Thorn in Garland’s Side

They’re Montreal Shoegaze band who’s bendy guitars and strategical use of dynamics in their latest single ‘A Thorn in Garland’s Side’ leaves your head bent, warped and wanting more. No Joy have been going around six years now and are currently playing shows in the Europe to so the rest of the world what they’ve been missing, catch them in the UK June 5th in guilford and 6th at Londons Moth Club, all building up to their Drool Sucker EP through Top Shelf on July 15th.

 

 

 

Gregory Alan Isakov – Liars

Some music stirs the soul in a way nothing else can, Gregory Alan Isakovs latest single does just that through his haunting vocal and gentle, exhausted guitar, in a song that layers it’s discreet, hidden melodies to perfection as it gradually evolves in to an epic show case of emotion through music in this cinematic barrage of beautiful noise.

 

The Record Summer – Prizefight

The first track in six years for The Record Summer, Prizefight is a laid out stopped back tune packed with relaxed summer vibes. Beautiful guitar and heavenly piano match the smooth vocal to create a stunning noise somewhere between The 1975 and Death Cab.

 

5 Tracks You Need To Hear This Week (23/05/16)

WE’VE BEEN SO BUSY BUT AFTER AN AMAZING WEEKEND AT THE GREAT ESCAPE IN BRIGHTON, WE’LL TELL YOU ALL ABOUT IT SOON, WE’RE BACK ON THE BALL WITH SOME MEGA EXCITING PLANS. SO TO MAKE IT UP TO YOU HERE ARE FIVE AWESOME TRACKS YOU NEED TO HEAR THIS WEEK! AND SEND US YOUR TRACKS TO SHOPLIFTERSUNI@GMAIL.COM AND DON’T FORGET TO LIKE US ON FACEBOOK AND FOLLOW US ON TWITTER!

 

 

The Neverists – Little Mystery

London based The Neverist have a sound that doesn’t age, sitting somewhere between Idlewild and R.E.M. they draw from elements that span through folk, rock, pop and everything in between. ‘Little Mystery’ brags a classic folky vocal tone intwine with melody and care that equates to a feel good, indie day dream.

 

Fifteen Years – Black City

Sometimes somethings just drop in your inbox that really packs a punch, this week Black City was just that. The track is driven by killer beats and a real feel of fire through out the song. It’s the latest demo from Bristol Hardcore/Punk band Fifteen Years, despite the punk feel this track carries, it’s a well crafted song with raw vocal that I can’t get enough of. They only formed this year, which makes it all the more exciting for a band with an awesome sound and a blank page.

 

 

Grieving – My Friend, The Ghost

Cambridge’s ‘Grieving’ release their third single, ‘My Friends, The Ghost’, a guitar heavy track that hijacks your ears with emotion and riffs in equal mesure.Melancholy hasn’t sounded so sweet since The Smiths, this perfectly layered work of indie rock.

 

 

Nail Polish – Stay Gone

Nail Polish hit us with two and a half minuets of garage rock heaven, the state site two piece’s latest track Stay Gone is laid out on surf vibe guitars and a driving beat taken over by the most awesome, lazy vocals.

 

 

Waste – Ricou

French London based electro pop band have been building things up for a while, working on their second album they’ve released new single Ricou. It’s electro indie at it’s finest that’s formed of hypnotic verses that dissolve into melody, a promising track that doesn’t disappoint.

 

5 Tracks You Need To Hear This Week (18/04/16)

We haven’t been writing lately, and we’re sorry. Life aye!? But we’re back with bigger ideas and the same passion and high quality music as ever. So to make it up to you here are five awesome tracks you need to hear this week! And send us your tracks to Shopliftersuni@gmail.com and don’t forget to like us on Facebook and follow us on Twitter!

 

 

 

False Advertising- You’re Too Slow

Our favourite home town grunge heroes are back again with their new EP ‘Brainless’. Their latest single ‘You’re Too Slow’ is everything you’ve come to expect from False Advertising, big fuzzy riffs, killer beats and nothing but noise in between. The vocals bring out a the bands melodic side amongst a meddle of stunning guitar. Stellar as ever from F.A.

(Jake McGloin)

 

 

 

Bad Breeding- Remembering

 

With a barage of noise, Stevenage band ‘Bad Breeding’ bring us their latest song ‘Remembering.’ It’s pounding drums, excessive feedback and the singer shouting about the corruption and manipulation of politicians and institutional bodies, which could not come out at a more relevant time, give us a punk song today’s generation and a middle finger to the powers that be.

(Tom Durkan)

 

Andy Shauf- The Worst in You

 

If you like tales of loves struggles sang in a whispy voice over acoustic guitars and light percussion, then Andy Shauf will be right up your alley. Think of a modern day folky Burt Bacharach. It’s easy listening chamber pop that will help you while away a summers day in the garden with a good book.

(Tom Durkan)

 

James Holt- The Mirror

 

Mancunian musician James Holt exhibits a brand of classic pop rock with a bluesy undertone in new song ‘The Mirror.’ Holt, who produced the song himself, shows a real knack for composition with an arrangement which perfectly blends electric guitar, keyboard, horns and even an organ to create a sound even the finest producers would be envious of. This is real talent and a guy to look out for in the near future.

(Tom Durkan)

 

 

Nick Brewer- Nobody

Following on from his 2015 top 20 single ‘Talk To Me’, Nick Brewer is back with his new song ‘Nobody’. Brewer tells a story of not being taken seriously by other MCs along side thoughts on religion and being patient. He has a flow reminiscent of Wretch 32, who’s ‘Fire in the Booth’ is sampled in the song.

(Tom Durkan)

5 TRACKS YOU NEED TO HEAR THIS WEEK (21/03/16)

HERE ARE FIVE AWESOME TRACKS YOU NEED TO CHECK OUT THIS WEEK! YOU CAN SEND YOUR TRACKS, SUGGESTIONS OR COMPLAINTS TO SHOPLIFTERSUNI@GMAIL.COM. (WE TRY TO LISTEN TO EVERYTHING AND GIVE EVERYONE FEED BACK SO HANG TIGHT)

 

 

 

Summerhouse- Chlorine

By dropping the first track from their upcoming debut EP, Manchester four-piece Summerhouse have sent a message that despite being new kids they can make just as much noise as anyone. Chlorine is a heavenly track bread from the Surf/Shoegaze crossover that seems to feed us so many great bands. Lo-fi vocals and jangled guitars and fuzz jackets ride over beats that dictate and rapid fills. An unreal first effort from the surf-grunge rookies. (Jake McGloin)

 

 

 

Telethon – A Funny Thing Happened To Me

Wisconsin band Telethon have released new single A Funny Thing Happened To Me from their new album Citrosis. Musically it’s the melodic guitar harmonies of Thin Lizzy meeting the punky rhythm of Weezer. Whilst lyrically there’s an honesty reminicent of Modern Baseball. Pop Punk fans check it out. (Thomas Durkan)

 

 

 

WSTRN – Come Down

After their massive debute single In2, WSTRN are back with follow up Come Down. Having remixed club classic Love Comes Down, the London boys use the typically infectious beat to show off their diverse range of voices. Expect this song to be playing at clubs all summer long. (Thomas Durkan)

 

 

 

 

 

Lusaint – High

The ambient sound of singer songwriter Lusaint makes for incredibly easy listening. The sparse backing track allows Lusaint’s voice to take control of the song and really highlights the amount of talent she possesses. It’s indietronica in the vein of Lorde and FKA Twigs. (Thomas Durkan)

 

 

 

 

Dam Gilla- The Undertow

Chicargo native Adam Gill, former frontman of psych pop band YAWN, has just released his second single The Undertow from upcoming EP Face The Sun. This song is what summer sounds like, it’s a big rocking pop anthem that will get anyone dancing, close your eyes and you’re in Miami at spring break. Throw in a Brian May esq guitar solo and some chanting and you have a hit. (Thomas Durkan)

 

 

5 Tracks You Need To Hear This Week (14/03/16)

HERE ARE FIVE AWESOME TRACKS YOU NEED TO CHECK OUT THIS WEEK! YOU CAN SEND YOUR TRACKS, SUGGESTIONS OR COMPLAINTS TO SHOPLIFTERSUNI@GMAIL.COM. (WE TRY TO LISTEN TO EVERYTHING AND GIVE EVERYONE FEED BACK SO HANG TIGHT)

 

 

Indigo Quest – Light In The Dark

The one man indie music project Indigo Quest is the brain child of Italian musician Denis Rossi who’s just dropped his latest track “Light in the Dark”. Taken from the upcoming second album, the track moves Rossi’s sound a little further forward than what we’ve heard in the past by using a more electronic sound and an encapsulating key section it’s got a ‘Highflying Birds’ feel about the whole thing with underlying tones of ‘Favourite Worst Nightmare’, it’s an indie masterclass from a bright new comer.

The Britanys – Basket Holder

A sleek new effort from the New York band that has a resemblance of fellow NY rockers The Strokes, and it’s no wonder as the track is produced by the legendary Gordon Raphael (Is This It?). A heavenly vocal melody that could easily modelled on Lou Reeds circa T.V.U. and a ‘Strokes’ riff and beat combo with over an intelligent bass line it’s as classic as it is fresh.

The Survival Code – Catalyst

London trio ‘The Survival Code’ drop the fifth single from their debut album. Aggressive and delicate in different measures, Catalyst is filled with heavy rhythm and sharp guitars that aren’t afraid to tare you ears apart. Gritty vocals and monster beats match the killer riffs in importance on this powerhouse of a track.

Bugzy Malone- Late Night in the 0161

Manchester grime legend Bugzy Malone is back with a new freestyle called ‘late night in the 0161.’ This is classic Bugzy  storytelling as he spits a great narrative over a heavy beat. He even manages to quote everyone’s favourite Leicester City bad man,  Jamie Vardy. Hopefully this is a sign of more new material to come.

 

CUPIDS – Kickin’ In

The Mancunian four piece have had a pretty solid career since they formed last September supporting the likes of fellow Mancs Blossoms along with Ocean Colour Scene and Tibet add in the pretty packed festival season ahead CUPIDS aren’t doing too bad. Listening to their new track it’s easy to see why, ‘Kickin’ In’ is an intricate work that blends classic rock sounds and pop dynamics, melody heavy over tricky beats the sounds of bands like Phoenix that aren’t a million miles away. It’s early days for this band but if they keep producing belters like this there’ll be a lot more days ahead.

 

5 New York Bands You Need To Hear In 2016 (SU Stateside)

New York is the worlds capital of cool for so many reasons, from the breath taking skyline to the stylish bars, high fashion to art,  but above all NY has churned out some of the greatest bands the world has ever heard; The Strokes, KISS, The Velevet Underground, Talking Heads, Blondie, Interpol, Vampire Weekend, Yeah Yeah Yeahs, LCD Sound System, Television, The Ramones I really could go on for ever. But whats new in The Big Apple, that’s what we really wanted to know. So we asked our good friends over at Paper Cup Music and the bands there each gave us an act that are killing it in New York right now. So here it is, 5 New York bands you need to hear in 2016, courtesy of Paper Cup Music;

 

 

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METALLEG
Wavey rock trio BOYTOY talk us through New York punks METALLEG.

 

“Awesome power pop made up of 1/2 of Dirty Fences and one member of Nancy. Super poppy catchy punk songs with awesome Ramones-esque harmonies, Jay Reatard melodies and killer stage presence. Great as a 3 piece or a 2 piece. Keeping it real playing whatever, whenever and keeping the New York vibe alive.”

 

 

 

 

 

Surf Rock is Dead

Our favourite New York surf band Little Racer​ tell us why they’re excited about Surf Rock is Dead.
 
“There’s so much great music coming out of NYC right now – bands like Honduras, Public Access T.V, Sunflower Bean – but hands down we’re most excited about our pals Surf Rock is Dead. They’ve been building this buzz in the city over the past year and just dropped their first EP “SRiD”. Their only a three piece but make this enormous sound – killer guitar/bass interplay, plus those vocal harmonies are over the top. They’re our homies and we can’t wait to see what they do in 2016.”
The Mystery Lights
Queens gritty psych rockers Raccoon Fighter talk to us about The Mystery Lights garage sound.

High energy fueled garage rock at it’s finest,  inspired by hard hitting 60’s garage and late 70’s punk, blending bluesy psychedelic elements that is sure to melt your face. These NYC based California boys recently signed to Daptone Records rock imprint ‘WICK Records’ and you best bet, their next record will be fire!” 

Dead Stars
Heres what The Teen Age think of Calm Punk by the awesome Dead Stars
“Been listening to this one on repeat. The quiet/loud dynamic fits Jeff’s voice perfectly. We also shot a video for this song, featuring a very calm punk.”
Acid Dad
Head of Paper Cup Music Magnus on NY Psych Punks Acid Dad:
“This infectious Psych-rock quartet have a brash, energetic swagger, with the songs and melodies to back it up.”​