Sheffield three piece Feral Family release there latest single ‘Sasquatch’ a riff heavy garage rock power house that’s chill wave undertones make it an instant banger.
False Advertising have come along way since the first time we got behind them for ‘Wasted Away’, over two years ago now, bigger shows, bigger fan base and arguable an even bigger sound, but there’s consistency in the quality of the riff heavy, powered out music they produce. ‘You Said’, is just one in a line of massive rock singles and EP’s they’ve brought out since their debut album, and despite the recurring big guitar sounds and pounding drums False Advertising do what a lot of other bands their size, who release as often, fail to, keep it interesting. At it’s core ‘You Said’ is an absolutely belting pop track quilted in layers of hooks and melody, guitar tricks and ‘Hole’ vibes, Jen’s vocal delivers the finishing blow with power and precision. Magnificently production and stuck right in my head ‘You Said’ is available for stream and download now.
The first new music since 2016’s ‘Romantic’ has arrived from Slow Hollows, the heavily melancholic new single ‘Selling Flowers’ is a heavenly blend of misery and euphoria. L.A.’s finest sad boys follow up their past glories perfectly, with a track that builds through brilliant layering from start to end that see’s the keys over taken by strings and back again, to a ride heavy work of art that invites melody from brass, synth and guitars to create a stunning track that reminds me of a much more youthful, less angry, ‘The National’. The start of a new chapter for Slow Hollows that’s off to its brightest possible start.
Check out their North American tour dates bellow:
5. Song of Praise – Shame
Londoners Shame are undoubtedly going to make it on to most top ten lists by the end of the year, having taking the UK scene by storm this and being every newspaper and magazines’ great white hope for the future of British Indie and still, somehow, managing to miss out on a Mercury Prize nomination. Their debut ‘Songs of Praise’ is a fast-paced, post-punk influenced storm of big guitar riffs and pacing drums with ‘One Rizla’ and ‘Concrete’ being the stand-out tracks, whilst tracks like ‘Gold Hole’ and ‘Tasteless’ give the album an added edge that make those ‘The Fall’ comparisons a little too easy.
4. Somewhat Literate – Retirement Party
Chicago’s Retirement Party dropped their debut LP back in May on the back of a huge wave of praise from online press, and rightly so; ‘Somewhat Literate’ is a fine blend of emo vocals and big 90s guitar riffs that interwind like if J. Mascis had a summer job in Modern Baseball. Energetic from start to finish and undeniably angsty and heartfelt, it drags me back to being a kid at a basement show loosing my shit – I just wish those bands were this good.
3. Tranquility Base Hotel & Casino – Arctic Monkeys
It’s split opinions where ever I ask: the biggest indie band in the world releasing a rock/lounge music concept album about a hotel resort on the moon was never going to please everyone. For me though it was a breath of fresh air, Alex Turner, in parts, seems to fudge the lines between this Sci-fi world and autobiography with his most compelling songwriting to date. Some of the best bass lines on an indie record ever, combined with smooth organs and Turner’s crooning vocal just make this album an absolute dream and people asking where the guitars are just aren’t listening hard enough with tracks like ‘She Looks Like Fun’ meeting somewhere between Humbug and AM. I love it, sue me!
2. Clean – Soccer Mommy
Sophie Alison, aka Soccer Mommy, has made a record that both musically and lyrically epitomise what we’re all thinking and feeling. Tracks like ‘Cool’ and ‘Your Dog’ are relatable, emotional and consuming all at once. Clean is a free-flowing ten tracks of softly stroked guitars that meet hooks and melody that touch on all emotion and a narrative ready to break your heart. Lo-fi in parts with hi-fi production it’s truly a breathtaking listen where I keeping finding something fresh with every play through.
1. Lush – Snail Mail
To release your debut album at 19 years old is pretty impressive but Lindsey Jordan’s debut is so good it’s hard to believe where all this unstoppable force of sound and melody is coming from. ‘Lush’ is an angsty, worked out, riff-driven album that twists and turns between indie ballad and guitar pop, but constantly delivering the same results; heavenly hooks layered on well-written, thought out pieces of music that almost juxtapose the sweet and sour lyrics at times. Lush is a beacon of hope for indie guitar music bringing it back to its roots whilst, at the same time stripping it down, cleaning it up and adding something to it that was lost for a long time before.
Los Campesinos! have dodged Manchester on their last couple of tours and as a self-confessed LC! super fan, that has been incredibly frustrating. But they’re here now in the same building where I saw them for the first time 9 years ago, a gig which for me is still one of the best I’ve experienced. It was the 2008 ‘Shred Yr Face’ tour with support from Times New Viking and No Age, Los Camp hadn’t quite dropped second their record ‘We are Beautiful, We are Doomed’, but nevertheless, this was an awakening in lo-fi for my teenage self.
This time around the crowd has matured along with the music of the band and we settle in, overpriced pints in hand, for a night of songs that have been the soundtrack to our last 10 years. But first support from the fearsome Patty Hearst, post emo fused with the indie riffs that first gave LC! their name, like Tiny Moving Parts with a touch of 2008 indie pop. They’re energetic and bursting at the seams with freshness that comes from a fusion of sounds making them a perfect contribution to the currently thriving Manchester scene.
They’re on, and the unmistakeable ohhhh’s of ‘Renato Dell’Ara’ echo through a crowd that are clearly here for a sing song, and it’s a good thing too as the band swing straight into massive singles ‘Romance is Boring’ before ‘By Your Hand,’ met and equalled by the chorus of the crowd. I’ve already half lost my voice, but they’re not letting up with ‘What Death Leaves Behind’, lead single from fifth album ‘No Blues’ straining me evermore before an energetic rendition of ‘Broke up in Amarante’ marks the start of the ‘Sick Scenes’ segment of the evening. After a couple more tracks off album number six, Los Campesinos! take us all the way back to the first album with ‘Knee Deep at the ATP’, I’ll admit I see a few younger audience members who this seems to be an education for, but for me I’m back upstairs in Academy 3 remembering why I feel in love with this band in the first place.
Cut back to 2017 and ‘Sad Suppers,’ a definite highlight of ‘Sick Scenes.’ As the drums hit the crowd jump, but one of the things that causes this infatuation Los Campesinos! fans have with the band is the lyrics, look around the room at any LC! show and you’d see a venue of all kinds of people in unison screaming every word back to lead singer Gareth. No more so than in tracks like ‘Avocado, Baby’, which also sparks a few interesting dance moves in the crowd, and the epic ‘The Sea is a Good Place to Think of the Future’ a lyrical anthem that rallies everyone in there to scream with all they have; “But you could never kiss a Tory boy without wanting to cut off your tongue again”. Ending on ‘Baby I Got the Death Rattle’ we go through every emotion like a final goodbye, but as they leave the stage we know there’s an encore in there and we’re not leaving ‘til we get it.
‘The Fall of Home,’ one of the band’s latest singles, fills the room as we welcome them back to the stage softly singing along, then the mood becomes tense as a familiar guitar tone rings out and the dynamic builds. After that riffs been strummed to death and the cymbals are nearly broken, a half pint of flat Budweiser is fittingly knocked out of my hand by a fan bouncing around to ‘You! Me! Dancing!,’ the song I tell my friends they’ll know after they ask who the fuck Los Campesinos! are. It perfectly captures the mood of a night that feels like a celebration of a band and their fans, which ends with the group letting the audience choose their final song. Screaming along to one of my favourite songs from one of my favourite albums, ‘I just sighed…’ finally finishes off my voice along with the gig. In a hit packed set from over ten years worth of material it’s amazing to see this band still resonate with people, the way the music has grown along with the band, and the fans that have grown with the true cult icons.
Indigo Quest – Light In The Dark
The one man indie music project Indigo Quest is the brain child of Italian musician Denis Rossi who’s just dropped his latest track “Light in the Dark”. Taken from the upcoming second album, the track moves Rossi’s sound a little further forward than what we’ve heard in the past by using a more electronic sound and an encapsulating key section it’s got a ‘Highflying Birds’ feel about the whole thing with underlying tones of ‘Favourite Worst Nightmare’, it’s an indie masterclass from a bright new comer.
The Britanys – Basket Holder
A sleek new effort from the New York band that has a resemblance of fellow NY rockers The Strokes, and it’s no wonder as the track is produced by the legendary Gordon Raphael (Is This It?). A heavenly vocal melody that could easily modelled on Lou Reeds circa T.V.U. and a ‘Strokes’ riff and beat combo with over an intelligent bass line it’s as classic as it is fresh.
The Survival Code – Catalyst
London trio ‘The Survival Code’ drop the fifth single from their debut album. Aggressive and delicate in different measures, Catalyst is filled with heavy rhythm and sharp guitars that aren’t afraid to tare you ears apart. Gritty vocals and monster beats match the killer riffs in importance on this powerhouse of a track.
Bugzy Malone- Late Night in the 0161
Manchester grime legend Bugzy Malone is back with a new freestyle called ‘late night in the 0161.’ This is classic Bugzy storytelling as he spits a great narrative over a heavy beat. He even manages to quote everyone’s favourite Leicester City bad man, Jamie Vardy. Hopefully this is a sign of more new material to come.
CUPIDS – Kickin’ In
The Mancunian four piece have had a pretty solid career since they formed last September supporting the likes of fellow Mancs Blossoms along with Ocean Colour Scene and Tibet add in the pretty packed festival season ahead CUPIDS aren’t doing too bad. Listening to their new track it’s easy to see why, ‘Kickin’ In’ is an intricate work that blends classic rock sounds and pop dynamics, melody heavy over tricky beats the sounds of bands like Phoenix that aren’t a million miles away. It’s early days for this band but if they keep producing belters like this there’ll be a lot more days ahead.
It’s a New Year, time to make your resolutions that you’ll keep till the 5th, and worry about all that Christmas weight you put on (don’t worry we think you look great with a bit of meat on your bones). But more than anything it’s time for reflection on 2015, the year grown men became ‘Beliebers’, we got a new Star Wars film that didn’t suck and we had a year of amazing music from so many incredible artists. Most importantly to me, this blog started, nearly a year ago and it was away for me to express how I feel about music and gain some control. I never thought anyone would read this thing, but it’s crazy how many of you did check this out and how many people wanted to be a part of Shoplifters Union, so thank you so much for that. And if you’re based in Manchester I hope you can help us celebrate our first birthday at Fallow Cafe on January 29th (tickers here). So here are the tracks Shoplifters Union enjoyed most in 2015, let’s hope 2016 is just as amazing for new music.
Author: Jake McGloin (Unless Stated)
The National’s Matt Berninger and Brent Knofp of Menomena came together to give us EL VY, ‘Return to the Moon’ is a snap beat track with a jiggered riff and nice addition of keys coasting it along. It’s a departure from former glories for EL VY members but theres hints of their previous work that gives it a familiar vibe but it’s a sidewise evolution from the likes of The National.
Orlando Seal always finds away to pull at your emotions and new single Wrestling is no different, with a feel that’s reminiscent of the National with a strange smattering of Editors. A thumping beat and an encapsulating hook, Wrestling invites us to view into the collapse of Seale’s personal life and share the heartbreak.
Who say’s you need to be in the same place to create awesome music, Brooklyn artist Morris and Montreal singer Laura Ohayon started creating their music via email for months before recording their debut EP in Jersey. The result is devastatingly addictive pop; our first taste ‘Stay the Night’ is filled with country vibes, big drums and heavenly riffs and hooks through out. Flawless vocal lines of winning melody resting atop an instant country-pop classic.
The sisters from London hit us with this folk pop tune that’s packed with good feels and sunny vibes. Acoustic excitement that’s as bright as these girls future, it’s happy sounds getting you ready for the summer already.
One of Britain’s most under sold bands was back with an incredible track that surfed through tempo and noise. It was every thing we’ve come to expect from The Maccabees with a little more Garage rock in for good measure. An absolute guitar gem dictated by Orlando Weeks vocals that had us excited about British Indie again.
At the end of 2015 we got a taste for what to expect from the new Crookes album, ‘The World is Waiting’, melody driven, hard hitting punk pop. It’s what you’d expect from a band turning out stellar tunes for the past few years, exactly what a single should be. An unstoppable pop masterclass from Sheffield’s finest.
From the bands EP ‘Fighting Gravity’ released this yeah, Bones is Landmarks latest single. Slow guitars and lead singer Brad Shea’s heart wrenching vocals build into an epic piece of music, particularly the huge drums at the end, that accompany this heart breaking video perfectly
Glasgow two-piece dropped a track that’s dressed in 90’s style and fuzz. Masterfully stylish, it’s a throw back to skate grunge that touches on Dinosaur Jr. and Pixies vibes.
A rock steady beat and dreamy guitars that blend magically through verse and chorus in a gentle barrage of licks hooks and riffs. It’s powered indie pop that thunders down the tracks in parts, but it’s balance of melody and seamless vocals just make it a ready for radio belter. They’re a band of the verge of a big career and they’ve proved with ‘Wasted’ they have what it takes, writing songs this catchy isn’t easy but The Starkins make it look painless.
This melancholy ditty really sums up the nomadic state of mind this generation has become accustomed to. This was the stand out track on the album for me – witty and slightly nostalgic for a rumoured past of financial security. (Beth de Cent)
Mancunian poet Mike Gary with the help of Joe Duddle, took us through a history of Manchester’s culture and more than anything a beautiful tribute to Tony Wilson and all for a good cause.
Working on his new music in New York has really rubbed off on Kevin Rotherham’s sound; the first single from his up coming EP is the aptly named ‘New York Love’. It’s a tune that radiates cool, starting softly with tinny guitar stabs as more layers ease into the track. Lead by Kevin’s big rock vocal that track comes to life before your ears into an Indie floor filler. Riddle with small nods to act’s from the big apple, a beat that’d feel at home on a strokes single and a Television guitar tone, New York love is an exciting glimpse into an artist on the verge of mastering his craft.
At first glance, this lo-fi infused pop song bares a strikingly obvious resemblance to The Velvet Underground, but it’s more like a New York Beatles. This charming tune is a fuzzy, folk work of art, radiating good vibes!
Hop Along were finally back in 2015 , as Francis Quinlan and co’s Philly folk rock trio fire out this emotional charged, melody packed single that gives just a taste of the Hop Along evolution.
Manchester three-piece, Hey Bulldog’s latest effort is a bass driven, psych rock master class, ‘Make Friends Not Millionaires’ is a slick, grooved out five minuet lesson in how rock & roll is made. Garage beats, and fuzzed up bass coupled with an array of genius hooks make this track unstoppable. Dark and stormy vibes that bring to mind BRMC and Black Keys at their finest, Hey Bulldog are a band that are growing with no end insight.
Taken from a split single, TWIABP teamed up with Rozwell kid who provide the other stellar tune but there is no doubt for me they steal the show with ‘Chest & Shirt’. It’s a much different set of feelings the Connecticut Emo Indies emote, with more hope than despair, powerful and heartbreaking as ever from a band never afraid to take chances in this hook packed, beat jammed new track.
It sounds filthy and beautiful. It pulsates, dictating your heartbeat. It is an awesome Drone-Rock track that proves all of Broken Hands credentials are up to scratch. People have had big hopes for the band who played support for The Rolling Stones, and this sounds like these hopes could finally come into fruition.
Musical smackdown by Elizabeth le Fey mercilessly parodies the Foxygen hit that brought her and Sam France together. Vocals reminiscent of Bowie and Bush ambush the listener with such raw truths it makes you want to TP your ex boyfriends house. (Beth de Cent)
The saying goes that you either evolve or you perish, and if there is any band out there that lives by this mantra it is Foals. They seem to be able to expand on their sound with every new album that they write. ‘What Went Down’ showcases their latest album brilliantly, stadium filling, massive, rocky riffs with Yannis’ usual lyrical prowess. (Thomas Durkan)
Memes aside, and there were some great ones, Drizzy took a chilled beat and masterful hook that wouldn’t leave your head. A love story for modern times.
‘Want To Be’, is a jangley, beat heavy tune that seems to see’s the bands lo-fi garage roots blend with East Coast surf and British Indie rock. The tinny, guitar heavy track takes you away from your cares and worries in a haze of lo-fi that sounds just as lo-fi should, effortless.
(The track’s been taken down, but check the band out here)
The Wonder Years moved away from pop punk with fourth album No Closer to Heaven in 2015 and ‘Cigarettes & Saints’ shows just how capable the band is at writing a mid-tempo, Alt. Rock tune. Frontman Dan ‘Soupy Campbell’ has never sang with more passion. (Bradley Shea)
Philadelphia chill rockers Weekender have had a pretty sweet year, support for Future Islands and Peace, and now gaining complacence to the likes of The Stone Roses and War on Drugs, it’s pretty impressive. But it’s all very much deserved. As the name suggests the latest the titles track from their EP, released in January, is jam packed with floaty vibes and indie pop guitars John Squire him self would envy, with under tones of Ash it’s got a real Brit Pop feel dipped in a fuzzy haze of magic.
It’s a beautifully melodic tune littered with hooks and riffs that echo perfectly through your ears till they hit that part of your brain that makes you want to move your feet. Bouncy garage drums and a pulsing bass seamlessly layer throughout, coupled with Elliot Michaud’s smooth, reverbed vocals to top it off, out It’s surf pop at it’s finest.
Manchester based multi-instrumentalist Delta Palms showcases his new track that’s laced in Rock & Roll from the tight beats to distorted vocals, it sounds loud and dripping with Miles Kane vibes. The one-man band manages an enormous Indie rock sound with west coast riffs for good measure.
Stepping into your ears straightening it’s bow tie like a Bond theme song, Gold Jacks, ‘Take It Back’ is a seductive, swarve piece of Rock ‘n’ Roll with filthy undertones that have essence of QOTSA. Sleek guitar tones that ooze cool, rock solid beats and wintry ice-cold vocals that’ll send chills.
Guitarist and vocalist of Trajano, Madrid based musician Louis went solo in 2015 his lo-fi sound was draped in captivated licks that came from retro roots, ‘Before You’ is like a cross between west coast surf and 60’s doo wop.
‘January 10th, 2014’ is not just a song, it’s a story. The World Is A Beautiful Place… play around with song structures a lot but this track is perhaps the best example of that, slowly building and dropping throughout until the ending explodes with punk energy. (Bradley Shea)
Manchester’s Liam McClair’s stunning acoustic pop single ‘Honest’ is an emotionally charged work that draws in ears and hearts a like. Feel good pop at it’s finest, McClairs vocal grows through out building like timbre around him in this folk pop master class that’s packed with heart.
Ever wondered what would happen if you took a song, covered it in glue and threw it into a pool of post punk? Leicester two-piece, Lusts, have- and it works beautifully. Mouthwash is a consistently riled up pop tune dressed in fuzz, synth and Stephen Morris style beats. There’s just something about this song that gives you the urge to move, or at least slowly sway your arms by your sides.
From the Manchester Fuzz trio’s amazing debut album which stole the show in 2015, Dozer, In true FA style, was packed with big riffs and heavy cymbals adding up to a real Sonic Youth esc pile of noise.
Turnover’s second album, Peripheral Vision, saw the band tone down the Alt. Rock inspired sound that featured on their debut and head into a much more subdued direction with interesting dynamics. ‘Hello Euphoria’ is the pick of the bunch but the albums 11 tracks could all have featured somewhere in this end of year list. (Bradley Shea)
Back in February Horsebeach dropped the first track from their brilliant second album, it’s a wavy guitars work with live drums that was showing even back then that the Manchester maestro Ryan Kennedy had something a little different planed for album number ‘II’
Knuckle Puck showed that pop punk isn’t all about pizza and posi-vibes with this mature offering from their debut album, Copacetic. These guys are one of the most exciting bands in the genre right now and will continue to grow in 2016. (Bradley Shea)
Staring off like something out of Pulps ‘This Is Hardcore’ it’s a tune layered with beautiful guitar riffs and enticing lyrics from the Mancunian artists album ‘Down There For Dancing’. Just one excerpt from a great album but a perfect way to set the tone with a racing dynamic showcasing some of the best new Indie rock around.
Texas band Cheap ‘Hair Cuts’ seem to have had a pretty good 2015, topping it off with the single Madeline, like a wired fusion between Pavement and Modern Baseball, the Tweemo (Tween/Emo, can we make that a thing?) mix witty lyrics and grabbing melody to give one of the sounds of the year.
Finally, a decent song for the LGBT community to replace the embarrassing I Kissed A Girl. The moving and cinematic music video is what really makes this catchy pop song stand out. Full length movie please. (Beth de Cent)
Proving that the poppier side of pop punk doesn’t have to be all about All Time Low and 5 Seconds of Summer, State Champs crafted one of the catchiest songs of the year with the lead single from second album Around the World and Back. (Bradley Shea)
The post emo Philadelphia bands new EP this year takes a different approach to their last album ‘You’re Gonna Miss It All’. It’s a little more low-key to start with but just as witty as anything these guy have written before, lyrically and musically. Bursting into an explosion of noise like nothing else ‘The Thrash Particle’ is just a perfect taste of what to expect from the future of Modern Baseball.
Tillman has been around for 11 years, whether that’s been drumming for Fleet Foxes or playing his own brand of folk. But in 2015 he took his act to a whole new level. Singing about love whilst being both Ironic and deeply honest, he has chiseled out a sound that is quite unique. Chateau Lobby is an ode to past love and it also has mariachi horns. Nuff said. (Thomas Durkan)
2015 saw BMTH secure their highest position in the UK album charts to date when That’s the Spirit went to number 2 in September. ‘Throne’ is the band at their most accessible, featuring electronic heavy instrumentation and a chorus hook catchier than most pop songs. (Bradley Shea)
With probably the best use of pan pipes all year Justin Bieber seemed to turn everything around performing a complete T-Swift and then some. With the album purpose turning everyone that would listen into a Belieber ‘What Do You Mean’ became an anthem for anyone in their mid 20’s admitting it’s cool not to be cool.
Manchester’s feed the kid release ‘Coming Back For You’, it’s slick, cool and littered with nods to glam rock. A retro sound that feels more current than ever the single is a powerhouse from start to finish with it’s pumping bass, strong beats and audacious riffs. Melody heavy through out it’s a stunning three minuet wonder.
The Manchester Pop Punk band returned to the fold this year with their new show stopping EP ‘Fighting Gravity’ released on ‘Ship Records’. 40mg is a huge pop tune that fires beautifully crafted melody straight to the heart. The big drums and guitar riffs hold subtle nods to American emo bands like Taking Back Sunday, while still showing us really what the British pop punk scene is all about.
Another Hightlight from ‘II’ was this dreamy guitar working featuring some of the finest boy/girl vocals of the year. A heavenly melody to match it was a dream when it landed in August.
How do you become a genius like Ryan Adams? You take one of the biggest selling pop albums of all time and song by song you make it better. It’s simple. Or at least that’s how he made it look. There are not many artists out there that would be able to conquer such a feat, but Adams did and his stripped back, dreamy cover of Bad Blood is the biggest example of that. (Thomas Durkan)
Derry two-piece Fabric’s debut single ‘Jungle’ is a modern post-punk master class; imagine early Joy Division with added cowbell. Rock solid beat and a steady bass from Lorcan Hamilton and Ruairi Coyle with beautiful tremoring ambiance, it’s bloody exciting.
‘To Pimp a Butterfly’ dropped in March and set the standard for every hip-hop album to come after it. Compton’s finest proved that he is the best rapper to come out since Kanye West with songs such as ‘King Kunta.’ It’s funky, fierce and has an empowering message behind it. What more can you ask for? (Thomas Durkan)
WPE just kind of showed up on my lap one day, someone recommended another band to me and I loved them, but through that I found these guys, and something about their scrappy, give it all but don’t give a fuck sound hit home with me, and this song just sums it up. Taken from their EP released at the end of February, which is frankly one best things we’ve heard this year, ‘Kicking’ is an energetic example of just what the underground American scene is capable of right now. This songs tinny guitars and awesome lyrics bring to mind bands Modern Baseball and Los Campesinos!. WPE are Florida based and creating exciting honest music that’ll leave you needing more.
This is the song that got me the most excited this year, the one when I first heard it I thought, this band are onto something special, so there’s no doubt that it had to be my number one. False Advertising had so music hype building around them, as if from nothing and it all started, for me at least, from this track. A shower of guitar fuzz, a kick ass beat and a thick bass line like a vein through the song, ‘Wasting Away’ is a breath of fresh air. Manchester’s newest alt gods, False Advertising, feel a little different from all the false idols we’ve seen lately, this is the real deal.
It’s always difficult for me to give my top albums of the year, but here it goes; I tried to be honest and give the albums I enjoyed the most. I couldn’t fit everything I wanted in so honorable mentions to Florance & The Machine, Courtney Barnett, Hop Along, TWIABP and yes I have to admit it, Justin Bieber. Look out for our top 50 songs of the year but in the mean time, here are the albums that I really took something from in 2015.
The Philadelphia Emo-Indie rockers mini album took the bands sound away from what we’re used to in parts but it worked so well. Tracks like The Thrash Particle take the band to a new level but there’s a different more focused feel through out, still lyrically intelligent while finding the perfect layers of noise all the way through.
Ryan Kennedy’s second outing was a more mature developed sound work with. It’s a gorgeous album that could go deeper in parts, but it’s full to the brim with great songs to while away hours dreaming.
When Kendrick dropped he was releasing this album back in February, it was already going to be a special album, but it was really going to live up to the hype. And it smashed it, between ‘King Kunta’ to ‘These Walls’ and ‘The Blacker The Berry’, there’s no weak moment on this album. Already one of the greatest Rap albums of all time? The best of 2015 at least.
One of the most exciting things to come out of Manchester this year, False Advertising’s scuzzed up debut was jam packed with riffs, howls and mega beats. It was a master class in tearing up eardrums but coupled with elegant writing that’s carefully planned from open to close. They took a long time to perfect the sound and pulled it off to make one of the years finest albums.
A triumphant return by Manchester Gods New Order, trumps anything they’ve done in years. It’s an album that all round really delivers, I feel like I should be giving this spot to a new comer but for me, Sumner and co really delivered a complete album that surprised me and many others.